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The Lobe of Lung, 200 |
Pipilotti Rist’s Eyeball Massage scrutinizes female
physicality in a visceral, yet strikingly beautiful way throughout the video
installations scattered around the ground floor of the Hayward Gallery. The
viewer is also invited to engage physically with the works exhibited. As we
move through the space Rist plays with our perception of size, by creating kind
of Alice-in-Wonderland-mushroom-trip-like situations, where the viewer either
feels as he have grown or shrunk. An extreme example of this is the miniature
installation Selfless in the Bath of Lava,
in which a woman surrounded by hellfire cries for help; reaching out to the
viewer, she begs forgiveness. One has to get down on the knees in order to
watch the tiny video played through a peephole in the floor. This situation
makes us feel gigantic and powerful. Contrary, The Lobe of Lung, which is projected on three huge wall-sized
screens, portrays a woman walking through a field of tulips, who is so
monumental that next to her one feels like a dwarf or an infant. It is this
projection, which struck me the most, with its vibrant colours and seductive
sound. I found myself sunk into a bed of pillows, completely relaxed and hypnotised
by the video in a dreamy state of mind. Eyeball
Massage delivers exactly what it promises. The show is a magnificent visual
feast.
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Selfless in the Bath of Lava, 1994 |
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Administrating Eternity, 2011 |
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