Saturday, 30 April 2011

The Lost Identity Land - Screenprint - phase 2

Ones the basic shape of The Lost Identity Land is ready, the next step is to create the illusion of depth and 3D of the face, hands and the background..

4) sketches for the sea and the land topographic contour lines.


5) the skeches are carefully copied (use light box; tracing paper is not so precise) onto separate sheets of paper.

DARK BLUE
sea and the land outline

RED
terrain and mountains











GRAY
rock mountains










I actually really like how these images look on their own.. especially the last one - the face and hands shaped from the rock mountains..

Thursday, 28 April 2011

The Lost Identity Land - Screenprint - phase 1

The Lost Identity Land is my 1st year final project for both Illustration and Printmaking.. It is hand drawn and than screen printed map of all the places, which either are close to me, have significant impact on my life or I just lived there for longer period of time..or simply all of it.
I would like to present here all the stages of the drawing and screen printing process..

1) sketch and general idea development















2) three colours drawn on separate sheets of paper.. this will create the base for my map.

BLUE

GREEN

DARK GREEN













3) ones screen printed the image looks like this..

Monday, 25 April 2011

Ferdynand Szypuła @ Rondo Sztuki Gallery in Katowice

On my last visit to Poland I had a pleasure to visit by happenstance a very interesting retrospective exhibition of works by previously unknown to me Polish artist and printmaker Ferdynand Szypuła, held in Rondo Sztuki Gallery in Katowice.

Satelita 1969
Szypuła was born in the 30s and studied Fine Art Printmaking and Applied Graphics. In the 60s he was working for Polish Television as a camera operator and than in the 70s as set designer, when he got himself a name Mr Blue Box. In 1972 he began close affiliation with the Organizing Committee of the International Printmaking Biennial in Krakow, as well as Integrafia in Katowice, at which he is a regular curator, jury member and exhibition designer. He works in the media of graphic art and poster design.

Tarpany 1969
The exhibition is divided in different parts, so the viewer can observe the transformations that Szypuła’s work has undergone with the passage of his creative time. From woodcut and linocut, through serigraphy to, most recently, digital print. The early works are full of grotesque and already in them one can recognize his fondness of everyday objects. Szypuła treats them equally to his human subjects, portraying their beauty and wondering about hidden meanings. His latest digital works, opposite to earlier poetic still life prints, present cosmic space visions.

Muzykant 1965
The most fascinating and intriguing for me is the use of rich texture in his prints. Looking at them from a beginning printmaker’s point of view one can only wonder: how did he achieve this? How can I do this? I like as well his very tiny prints, almost inch-by-inch, yet presenting razor-sharp very detailed image. I admire Szypuła’s work for the supreme craftsmanship and distinguished poetics.




Rycerz 2005
Panopticum 2005

Tuesday, 19 April 2011

End of the Year Printmaking Show poster


the final version of the poster I designed for the End of the Year Printmaking Show, which went to print..
can't wait to see them ready.. exciting!

Printmaking Poster early ideas

 2 stages of the idea development for the poster for the End of the Year Printmaking Show.
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